![]() Travels to Vienna, where he gives two concerts of his compositions and improvisations.Įtudes, Opp. “Fantaisie sur des airs nationaux polonaise” in A major, Op. Studies at the Institute of Music in Warsaw. First compositions at age seven, his first public performance at eight. 1810īorn in Żelazowa Wola near Warsaw on March 1. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. ![]() Huneker exults, "What masterly writing, and it lies in the very heart of the piano! A hundred generations may not improve on these pages.Pianist and composer. The trio, filled with longing, takes on a pianistic complexity. The gorgeous melody overlies a six-note-per-measure left-hand accompaniment of exceeding richness. It must be a charnel-house." The melody, marked "con anima", is repeated three times during the lengthy proceedings, the last time bringing us to the coda in a magnificent key change. Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and contempt." According to Wilhelm von Lenz, a pupil of Chopin, the composer said that the renowned sotto voce opening was a question and the second phrase the answer: "For Chopin it was never questioning enough, never soft enough, never vaulted (tombe) enough. The work was composed and published in 1837, and was dedicated to Countess Adèle Fürstenstein.
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